N/A N/A ( 7.922)

Set in the 1990s, these are the life and times of Amado Carrillo Fuentes, a man who became the head of the Juárez cartel. Nicknamed “El Señor de los Cielos” (Lord of the Skies) because of the large fleet of airplanes he used to transport drugs, he was also known for washing more than $200 million through Colombia to finance his huge fleet. He is described as the most powerful drug trafficker of his time.

N/A N/A ( 7.3)

Inspired by real events, this fictional dramatization shows Griselda Blanco's journey from Medellín to becoming "the Godmother" of Miami's drug empire.

N/A N/A ( 7.3)

Blanca, student leader of the feminist movement in an occupied school, goes missing: hours later, a video of a group raping the girl goes viral. In their aim to find her, a police squad formed by three women puts their lives and that of their families at risk. As they look for Blanca and investigate, they will find out that behind this gender crime there is much more than just one offender.

Viva Vivaldi 2001 ( 10)

Viva Vivaldi! is a concert by the Italian mezzo-soprano Cecilia Bartoli interspersing arias from the 20 surviving operas of Vivaldi with two concertos. Given with the early music ensemble Il Giardino Armonico before a very appreciative audience in the Théâtre des Champs-Élysées, the performance is part of Bartoli's exploration of the Venetian composer's opera music which also includes The Vivaldi Album. There is a startling dynamic energy, which contrasts powerfully with the more restrained interpretations by singers such as Emma Kirkby. Bartoli's natural Italian and the live atmosphere of Maria Grazia d'Alessio's oboe gives her interpretation of the quietly haunting and melodically rich "Non ti Lusinghi la Crudeltade" from Tito Manlio a particular piquancy. The Flautino Concerto is a most attractive interlude, while the more famous Lute/Violin Concerto beguiles with its exquisite lyricism.

De la piel del Diablo 2019 ( 8.2)

Materiales 2022 ( 2)

Some of the materials and studies that were made during 2015 for the conformation and creation of the short film New life. The selection, the re-appropriation and the montage of them, conform a new poetic that has a direct relation with the final work and at the same time opens a space that allows us to glimpse the creative process, transforming itself into a piece in itself. Materiales is like the B-side of another cinematographic work, as in the old 7-inch vinyl sigles.