Cabrera Bernal uses the moving image as the primary matter of a sculpture made out of metrics and rhythm. The filmstrip is an object, built with found celluloid in which the figurative motifs of the footage transcend banality, disappearing into abstraction by the grace of length and repetition.
In Contra el cine (2010) cinema is taken as an archive and the cinematographic image as a classifying, cataloguing and analyzing asset.
