Pepa resolves to kill herself with a batch of sleeping-pill-laced gazpacho after her lover leaves her. Fortunately, she is interrupted by a deliciously chaotic series of events.
Joan Mares obsession for the lovely and luscious Norma Valenti takes epic proportions because he cannot let go of her. After he is injured by some skin heads, he uses his scars to pursue his life as a street musician. He devices a plan to get to Norma and she never catches on to his deceit, except she realizes that as Juan Faneca his performance in bed is exactly what she had experienced with Joan Mares because she concludes they were taught sex by the same prostitute.
In the present, in Spain, Miguel's mind, affected by a brain disease, seems cloistered in the past, in Argentina, in the seventies, when he risked his life for his ideals. He is obsessed with finding a woman named Diana. Mario, his son, who has been away from Miguel for a long time, now feels compelled to unravel the mystery of a name that, like a curse, pursues his father.
