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Alassane Maiga

Alassane Maiga

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I, a Negro 1959 (7.348)

Winner of the prestigious Prix Louis Delluc in 1958, "Moi, un noir" marked Jean Rouch's break with traditional ethnography, and his embrace of the collaborative and improvisatory strategies he called "shared ethnography" and "ethnofiction". The film depicts an ordinary week in the lives of men and women from Niger who have migrated to Abidjan, Côte d'Ivoire for work.


Alassane Maiga

Alassane Maiga

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Mirage 2020

Mali - Algeria - Libya - Italy. Issa’s escape from West Africa to the European mainland lasted ten years. Everything was supposed to be better here. But when he arrived in Rome, the only thing waiting for the young man was a life of homelessness and unemployment – which meant no money to send home. Drissa and Sekou share a similar fate, waiting in Italian asylum centres for a residence permit. Then there’s Bubu, who, forced to move from job to job, is unable to settle down. And lastly comes Alassane, who lives without identity papers in a state of constant uncertainty in a refugee camp near Rome. They all have one thing in common: after a gruelling odyssey, none of them has found the Italy they were hoping for when they arrived. Disillusioned, they find themselves in a vacuum of waiting, reflecting on the time they live in and the time that lies ahead.


Alassane Maiga

Alassane Maiga

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Vendredi noir 2000

In a Nigerien village there lived a poor family who found it difficult to provide for daily needs and above all to overcome hunger. This village located several kilometers from the school will not allow the children to go to class on time and to follow the lessons in the same way as the other students. In this atmosphere of daily misery, the corrupt power pays very little attention to the problems of grassroots populations and community social services are almost absent. Because of a cursed sum demanded from school by the teacher, the young girl can no longer go to school. On the other side nothing was possible to save their eldest daughter beaten to death by her husband, because they don't have enough to pay for the doctor's prescription. With sincerity and directness, this portrait of a needy family criticizes all the consequences of a badly managed country.


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