Detective Chief Superintendent Maurice Jobson is forced to remember the very similar disappearance of Clare Kemplay, who was found dead in 1974, and the subsequent imprisonment of local boy Michael Myshkin. Washed-up local solicitor John Piggott becomes convinced of Myshkin's innocence and begins to fight on his behalf, unwittingly providing a catalyst for Jobson to start to right some wrongs.
A successful Wall Street trader returns to England with her new husband and five-year-old son, but their new start together turns into a nightmare when they move into a country house which contains a terrible secret.
Ian Bonar is Stevie, a wannabe musician whose look is a hybrid of Jarvis Cocker and early Elvis Costello. Working with his drummer pal Neil (Matthew Baynton) in a call centre, they dream of breaking into the indie music scene. To do this they require additional band members. Step forward the driven (and drinking) guitarist Billy (Kieran Bew) and slightly scatty bassist Emily (Lyndsey Marshal), who has a sideline in making sculpture from hair.
