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An apartment, who knows whether it is still inhabited or not, whether the potential inhabitants will ever arrive or are already dead. A man's voice speaks and names the objects and places. Memories appear. An orphan is waiting alone in the hall among luggage. His infancy emanates from the objects and the perspectives subjectively visualized by the authors. Fragments of stories. Condensed emotions. People are suddenly frightening. Video technology draws a map of passages from the real to the imaginary, from truth to the narration of the present, the probability of cathode imagery.
Charlotte Castang is a working-class 13-year-old girl, who lives in a drab, run-down neighbourhood, and is ready to become an adult. Her mother died giving birth to her, and she lives with her crass brother and a father whose attention is elsewhere. Her only friend is Lulu, a sick 10-year-old she regards as a pest. Charlotte is antisocial, bored and dreams of a better life. Her life improves when she meets Clara Bauman, a pianist prodigy.
In 1960, Marc and Philippe are counselors at a summer camp in the French countryside. One night, Marc finds Philippe dressed and made up as a woman, and from now on, he will keep on humiliating Philippe.
In a small town in post-WWII France, 16-year-old Janine tries to improve her conditions by any means necessary. Three people—Michel, a married lover; Raoul, a fellow thief; Mauricette, a photographer she meets in prison—will help her learn from her mistakes.
Then complex world of geopolitics broken down into ten minute, bite-sized chunks. You'll never sound uninformed at the dinner table ever again.
