Baker's apprentice Chris is sacked from his job for being late. Unwilling to give up the flat that goes with the job, he and his friends resort to squatting. Liv, a Swedish girl moves in and is soon followed by Léon the car mechanic and Rosette, a girl from the bakery.
Two violent bank-robbers hide in a hotel room. Traditionally, she celebrates by having sex with her partner after a heist, but this one prefers playing helicopter by hanging to the ceiling fan. Wrong move; now she is getting pissed off.
African migrants in Paris talk about everyday life and racism on the labour and housing markets. The chanson from which the film takes its title sings of misery on people’s own doorstep. Hondo then switches to another mode to continue his analysis of social conditions: never has the post-colonial state of the world been summarised as succinctly as in the closing animated sequence.
