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Akira Ōizumi

Akira Ōizumi

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The Life of Oharu 1952 (7.714)

In Edo Period Japan, a noblewoman's banishment for her love affair with a lowly page signals the beginning of her inexorable fall.


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Good Morning 1959 (7.7)

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.


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Repast 1951 (7.534)

Michiyo lives in the small place Osaka and is not happy with her marriage; all she does is cook and clean for her husband.


Akira Ôizumi

Akira Ôizumi

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The Complete Thunderbirds 1985

Hideaki Anno's first major professional work in which he served as lead editor on a highlights compilation that combined several Thunderbirds episodes into one movie.


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Okama Report 1991

Straight college student Shinya Okama gets a job at an okama bar – a cross-dressing gay bar. He falls in love with a college girl he meets there, and attempts to get closer to her while concealing the truth of his identity.


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