Agnieszka Wasiak

Agnieszka Wasiak

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Wolf 2021 (5.3)

Jacob, a man who believes he is a wolf trapped in a human body, is sent to a clinic by his family where he is forced to undergo increasingly extreme forms of "curative" therapies at the hands of The Zookeeper. Jacob’s only solace is the enigmatic Wildcat, with whom he roams the hospital in the dead of night. The two form an improbable friendship that develops into infatuation.
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Never Gonna Snow Again 2021 (6.284)

Zenia is an industrious Ukrainian migrant worker in Poland who makes house calls as a masseur to the needy and aspirational residents of a middle-class gated community near Warsaw. He is privy to all of their problems, anxieties and secrets – and something of an unwitting guru figure. Zenia’s grounded spirituality, apparent healing powers and broad shoulders make him an object of lust for many of the lost souls in the community.
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Sole 2019 (6.8)

Lena is seven months pregnant and she's ready to sell the baby in her belly. Ermanno agrees to pretend to be the father. Fabio, the uncle of Ermanno, will pay them to buy the child that he and his wife Bianca cannot have. A fake adoption between relatives, a loophole to bypass the law in Italy. A world in which money is the only standard of value, the only thing that matters. Ermanno and Lena are two strangers that must pretend in public to be a couple and live together until the delivery. They are used to only thinking about themselves and they fight all the time. But living side by side they start becoming what they were only pretending to be.
Agnieszka Wasiak

Agnieszka Wasiak

N/A

N/A

Most Known for...

Movie Picture

Polski film 2012 (5.2)

“The fact that I’m playing myself doesn’t mean that it’s me.” Four old schoolmates, today well-known Czech actors (Pavel Liška, Tomáš Matonoha, Josef Polášek and Marek Daniel), decide to make a movie together. Their ambitious colleague Jan Budař takes up directing duties and financing has arrived from Poland. What started out pleasantly enough, however, soon goes awry. Liška’s pronunciation difficulties, Daniel’s alter ego Havlát, and Matonoha’s financial machinations turn the shoot into a fight for survival. More than just a film about friendship and the absurdity of actors’ lives, director Marek Najbrt gives us a witty meditation on reality and illusion, and a unique take on the reality film genre. One of Pavel Liška’s on-set comments (“I didn’t know if I should act as if I were acting, or act as if I weren’t acting, or just not act at all”) illustrates the provocative nature of Najbrt’s subversive, quasi-documentary game.