Big Mommas: Like Father, Like Son 2011 ( 5.5)

FBI agent Malcolm Turner and his 17-year-old son Trent go undercover at an all-girls performing arts school after Trent witnesses a murder. Posing as Big Momma and Charmaine, they must find the murderer before he finds them.

N/A N/A ( 8.351)

Los Angeles. 1983. A storm is coming and its name is crack. Set against the infancy of the crack cocaine epidemic and its ultimate radical impact on the culture as we know it, the story follows numerous characters on a violent collision course.

If Beale Street Could Talk 2018 ( 6.934)

After her fiance is falsely imprisoned, a pregnant African-American woman sets out to clear his name and prove his innocence.

Cóctel de Camarones. En el Día de la Secretaria 1984

In Secretaries Day, either you get laid or you get paid.

Minezota 2016 ( 4.5)

The girlfriend of a musician wants to have a son, but he doesn't. She meets a couple of mormons who teach her about religion while he meets another woman.

Heart of a Lion 2015 ( 5.654)

After she loses her mobile phone, a lawyer receives a call from the person who found it. They talk and hit it off very quickly. But she's in shock when she sees that he's very short.

Violencia Cuántica 2023

Strong Waters 2018 ( 5)

A sensory, immersive composition takes us on a journey to a place that seems to have stopped in time but remains timeless. A female voice reads a mythological text on the origin of the world and sets the tone for a documentary-meditation on the presence of primeval elements – like water and flora – and their cohabitation with the natives, whose portraits intersperse the film. The stealthy camera follows a boat drifting across the calm waters of a river, as if the latter were the rings of a tree disclosing its history, in a movement that lulls us and drives us to the physical and metaphysical core. Finally, accompanied by an ancestral chant, the etching gives way to a sequence of images (which in turn emerge like a river reducing the field of action to the essential) and moves into a poetic terrain, summoning the imagination of each one.

Welcome to My World 2016

Tell Mario not to Come Back 2007 ( 6)

After a long exile in Venezuela, filmmaker Mario Handler returns to his country, Uruguay. There, the dictatorship is still present in the media, public opinion, and in the memory of people. The director feels he owes something to the comrades, those who could not leave the country. This debt translates into poetry, black humor and conscience, in a sharp and accurate atmosphere of this dark time of Uruguay.