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Large doses of humor, ingenious nods to Spain's most recent national cinema, an artistic cast highly linked to comedy and a high reserve of surprises constitute the ingredients of this crazy comedy: Spanish Movie.
Javier is what we have dubbed as a "husband-in-law." That is that without taking care of the care of the house and children at all, he knows exactly what needs to be done, and that he continuously collects a sum of sentences from the type: "It is that you do not organize", or "do not get nervous", you already consider that overflowing woman drowns in a glass of water. Javier will have to face the reality of dealing with five children (between four and twelve years old) when his wife decides to go on a trip and leave him alone with them. The chaotic situation that takes place at home will progressively evolve ecologically to the most absolute disaster, but at the same time it will give parents and children the opportunity to meet and enjoy themselves for the first time.
Nadia and Adrián starts their particular world war when she files to divorce him.
Every afternoon Noelí, a young Dominican woman, hangs out on the beach at Las Terrenas. With her boyfriend, Yeremi, they look for ways to make a living at the expense of one of the hundreds of tourists there. However Noelí also has a steady client, Anne, a much older French woman, who, like many other Europeans, has found an idyllic refuge on the island to spend her last years. For Noelí, the relationship is one of convenience, but the feelings become more intense as they plan to leave together for Paris.
Maite Amaya was a trans, feminist, piquetera and anarchist militant. She began her militant trajectory as a high school student; then for the rights of sex workers, in the struggles of the LGBTTTIQ+ community, and for the dignified life of all marginalized people. She died in 2017 at the age of 36, the maximum life expectancy of trans and transvestite people. This short film reconstructs her lide as part of a living memory. From voices of companions and friends, intertwined with archival material of her own voice, an irreverent and satirical record is constructed.
