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The film follows the relationship between a theater employee, a projectionist and a Theater Owner as film projection is replaced by digital projection. It explores how film brings people together and projection of film as a lost art form.
From the creator of Calvinist comes a documentary about how God wants to be worshipped.
At a masquerade theatre, Beatrice and Benedict, plagued by a past romance and a predatory co-star, navigate blurred lines as their director schemes to trick them into rediscovering love on stage.