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Pyotr Yermolov

Pyotr Yermolov

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The Childhood of Maxim Gorky 1938 (6)

Young Maxim grows up under the czarist regime with his grandparents as guardians. Continually demeaned by his martinet grandfather, Maxim is drawn to his warm-hearted grandmother, who instills in him the willingness to pursue his writing muse.


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My Universities 1940 (5.462)

My Universities (Moi universiteti) is the last installment of Russian director Mark Donskoy's "Maxim Gorki" trilogy. Having endured a painful youth in My Childhood and a torturous sojourn as a serf in My Apprenticeship, future writer Gorki reaches maturity with an insatiable desire for personal and artistic freedom. The "university" of the title is actual the school of Hard Knocks, as Gorky goes to work in the shipyards and commisserates with the hard-drinking, philosophical dockworkers.


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Timur and His Team 1940 (4.9)

A story about a young boy Timur and his team who are living in a small Moscow suburb during the years before WWII.


A. Yermolov

A. Yermolov

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Spring 1947 (6.1)

A drab woman scientist, working on machine to harness solar energy, and a pert concert singer look-alike being courted to play her in a movie swap identities and find personal growth, professional success, love, and happiness.


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Lenin in October 1937 (5.8)

Commissioned by Josef Stalin to commemorate the 20th anniversary of the Soviet Revolution, Lenin in October was the first of Russian director Mikhail Romm's tributes to the Marxist visionary who helped orchestrate the insurrection of October, 1917.


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Admiral Ushakov 1953 (6)

Historical epic about the legendary Russian naval commander of the 18th century, admiral Fyodor Ushakov, and his fight for Crimea during the Russo-Turkish War.


Vladimir Yermolov-Borozdin

Vladimir Yermolov-Borozdin

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His Call 1925

The main protagonists of the film are Katya (Varvara Popova), the daughter of a factory worker and Andrey (Ivan Koval-Samborsky), the son of the former owner of the factory who illegally returns to the USSR to find treasures hidden by his father. The film title refers to the Communist party's appeal, after Lenin's death, to enlarge its membership.


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