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Sisters moving from Hunan to Hong Kong in the 1990s are faced with an identity crisis, poverty, and their father's drug addiction.
Jin, a widowed mother living alone in a village, is diagnosed with a brain tumor. Her daughter fights tooth and nail to get her the best treatment while her son encourages the family to embrace the reality of death. Circumstances send the three characters on an existential journey on the rivers of the past. Chen's sensitive debut feature is a film about homecoming and farewells, and was awarded Best Screenplay at the Shanghai International Film Festival.
A confused and depressed 25-year-old white-collar woman meets a desperate and feeble 38-year-old book critic man. She has talent that makes him jealous, but she doesn’t seem to notice it herself. He has matureness that she admires, but he doesn’t seem to care about it. Sometimes close and sometimes distant, they attempt to establish a relationship not possessive, yet mutually comforting. However, the loss of distance makes them eventually become strangers. Five years later, the woman has become a novice writer. She brings her debut work — based on her previous experiences — to meet the man and try to put an end to the past.
The resourceful protagonist Zhang Yi (Liang Dawei) sought medical expenses for the weak and sick sister Zhang Ying (Jinmeng Yangzi), and entered the college with the purpose of finding the legendary treasure of the heavens, and met the Mohist school here. The descendant of Duanmuzheng (Zhang Ruihan), the sultry and human librarian Nantang Prince Li Yuyu (Li Wenhan), the melancholy divination of the divination girl Cui Jialuo (Zhang Xixi) and the innocent and lively Korean Princess Wang Enzhu (Ai Xiaoqi).
