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A cardiologist tries to pinpoint the cause of her mother's sudden death, while her sister, a witness, claims malevolent demons are at play.
Housewife Dilek suddenly starts to feel the presence of something abnormal in her house. Her husband Omer refuses to agree, and the situation worsens. The couple discover that an ancient paranormal creature called Jinn has cursed on Dilek. They seek a cure but instead they learn of Dilek's demons.
Fed up with South America’s heat, the Maya, lured by rumors of golden soil, migrate to Anatolia, settling near Bağcılar and blending their advanced techniques with Turkish tribal culture. Their rapid rise, however, alarms Byzantium: peace-loving Emperor Klitor III is an avid Maya admirer, but his scheming wife, Empress Klitorya V, and his brother Muhteris conspire to eliminate Klitor, then abduct all Maya women to the imperial dungeons. Their twisted plan? By “improving” Byzantine lineage with Maya genetics while the men take local wives—“only God should know loneliness”—they intend to dilute the Maya’s flawless DNA into common stock.
Two kids living in a small town runs away from home in order to find the movie star they fall in love with.
A film-opera divided into nine segments, Au pays de Zom tells a day in the life of Mister Zom, a capitalist infatuated with his own person, whose conformism is only matched by his artistic velleity. A thematic sequel to his movie filmed with Mexican peasants, here Groulx asks, by making a business man sing, a second question on happiness: this time about the ones for whom happiness is linked with the possession of overabundance. He delivers, by developing the theatrical dimension with great emphasis, a social pamphlet with a strong satirical charge that he himself qualified as a "neo-surrealist fantasy".
