Titãs - A Vida Até Parece Uma Festa 2009 ( 6.1)

Brazilian documentary that tells the story of Titãs, the most famous rock band in the country. The film was directed by one of the members, Branco Mello, using images recorded from the early 80's until the present day.

Djavan ao Vivo 2001

2000 Release of Live Concert Filmed in Rio De Janeiro, Brazil and Barcelona, Spain (1999). • 1. Maçã • 2. Oceano • 3. Açaí • 4. Fato Consumado • 5. Para-Raio • 6. Flor de Liz • 7. Faltando Um Pedaço • 8. Doidice • 9. Um Amor Puro • 10. Eu Te Devoro • 11. Se • 12. Samurai • 13. Capim • 14. Acelerou • 15. A Carta • 16. Boa Noite • 17. Seduzir • 18. Sina • 19. Pétala • 20. Lilás • 21. Azul • 22. Meu Bem Querer • 23. Dupla Traição • 24. Nem Um Dia

Titãs: Cabeça Dinossauro 30 Anos 2012

In 1986, with nine members, the Titãs recorded the album "Cabeça Dinossauro", one of the most important records in the history of Brazilian rock. In 2012, as a quartet (Paulo Miklos, Branco Mello, Sérgio Britto and Tony Bellotto), the band celebrates 30 years and commemorative tour in a show recorded live at the Circo Voador, Rio de Janeiro) . The DVD was directed by Oscar Rodrigues Alves, one of the directors of the Titãs' documentary "Life Like a Party". The band plays heavy, with the blow it deserves.

Good-Bye, Chicago 1978

Inhabited Solitude 1976

Óscar Alves' first feature film and the only film in his short career as a director that explores the melodrama genre, it would not be bold to say that "Solidão Povoada" is heir to the visual aesthetic of Cinema Novo, whose greatest reference is Paulo Rocha's "Verdes Anos" (1963). Set in a post-25 April Lisbon that wants to be cosmopolitan, the film portrays two middle-class couples.

Aventuras e Desventuras de Julieta Pipi 1978

Images of Los Angeles in the 1970s and a subsequent takeoff from LAX airport give way to Portela, where internationally renowned actress Julieta Pipi has just arrived in Lisbon. Miss Pipi prepares for a tense press conference to be held at her palace on the outskirts of the capital. Faced with questions that are sometimes political, sometimes intellectual, and sometimes even sexually inquisitive, Pipi defends herself, with an Italian accent (influenced by the last film she shot in Italy), against all provocations, even sidestepping impertinent questions about her dramatic training. With the conference setting the tone, the film operates a sequence of flashbacks that introduce us to her work and past glories.

Fatucha Superstar – Ópera Rock… Bufa 1976

A subversive queer musical comedy inspired by Jesus Christ Superstar. Ferreira demolishes one of the ideological mainstays of the Estado Novo: Our Lady of Fatima. - Cinéma du Réel