Rascar Capac, the sinister creature featured on Hergé's album The Seven Crystal Balls (1948), has left its mark on many generations of readers. To draw it, the Belgian cartoonist was probably inspired by a mummy exhibited in the first pre-Columbian exhibition organized by the Brussels Cinquantenaire Museum in 1923. Two intrepid archaeologists embark on a fascinating journey to reconstruct the story of the mysterious mummy.
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Six strangers are invited to stay at the prestigious estate of a billionaire. The helicopter transporting them is forced to make an emergency landing. What can an ex-policeman, a religious art dealer, a retired teacher, a marketing director, a star criminal lawyer and a businesswoman have in common that they are trapped in this way?
Stéphanie, a reserved young osteopath, infiltrates a mysterious start-up in order to prove that the video that destroyed her mother's political career is in reality an undetectable deepfake.
